The male singer-songwriter has been something of a challenge for both artists and listeners in recent years. People with undeniable talent, producing incredibly pleasing music have largely been getting nowhere, in most cases because they missed the bus that Ed Sheeran drove off to Radio 1 on, and took any remaining hope for the male soloist with him. But while talent perseveres, there will always be a chance that someone else can gain the recognition they rightfully deserve. Will Robert is a Cambridge based artist striving for just that.
Robert’s new EP ‘Transitions’ showcases his vocal and instrumental talents with charming modesty, as well as displaying his laudable songwriting ability. This aptly named record tells a story of change both lyrically, and musically, all while treating the listener to some of the most serene acoustic sounds they’re likely to hear in their lifetime.
The opening track ‘City Lights’ idyllically introduces us to Robert’s sleek voice, setting the lyrical tone poignantly; “You seem so bold but a cold wind blows inside of you”. The contemplative and seemingly upbeat feel of this track is complimented by subtle percussion, which is maintained throughout ‘Transitions’, and adds an organic depth to the record.
Raising the tempo slightly on ‘Best Laid Plans’, we are treated to some of Robert’s smart guitar work, featuring Newton Faulkner-esque percussive playing as can also be heard on ‘Easy Way Out’. Alluring vocal harmonies gently bring about the chorus and again show Robert’s knack of using understated elements to create something stunningly simple yet engaging.
The transitional nature of this record is a testament to the amount of thought Robert has clearly put into it. We encounter lyrical and musical peaks, with a clear positive tone in ‘Castles’ and ‘Easy Way Out’ all after the more melancholic tone of ‘Hide Away’, in which Robert laments “sitting in the dark won’t keep you safe”. By the middle of the record, the tone becomes melancholic once again, with beautifully tempered electric guitar being introduced to display a further impressive range of musical knowledge and appreciation, and to also keep us guessing on how the transition will pan out.
Come track nine ‘Sleight Of Hand’, the saga appears to be coming to it’s conclusion, and the rousing chorus has an air of acceptance in it’s lyrical tone along with ‘Another Life’. Inventive guitar work and a more intensive use of percussion really captivates the listener in this latest chapter. ‘Roads’ is another flawless example of simplistic songwriting at it’s humble best, with nothing but Robert, his guitar, and the faintest whisper of piano producing a gratifying penultimate track.
‘Open Sea’ is the final, and probably strongest track on the record. Majestically combining all the elements found throughout, this track is a triumph and a perfect closing song on a record that I sincerely hope gets the recognition it deserves.